These are followed by two famous drummers, individually, in free solo improvisations. They are Ron Tutt, most well known as Elvis Presley's drummer, and Jim Keltner, former member of Gary Lewis and the Playboys and musical collaborator with John Lennon, George Harrison, Ringo Starr, Bob Dylan and many others.The Absolute Sound said of the Track Record: "ABSOLUTELY THE BEST SOUNDING ROCK AND ROLL RECORD EVER MADE."And the International Audio Review praised the Drum Record: "The sonic fidelity of the Sheffield Drum record is enthralling, and its value for learning about your system makes it a must."
Before the recording of their debut album, Five-A-Side,[3] the former drummer of Bees Make Honey, Fran Byrne, replaced Steve Witherington.[2] The single "How Long" was taken from this record, and was a significant chart success, achieving a top 20 place in the UK Singles Chart,[1] and reaching number three in the US Billboard Hot 100 chart in the spring of 1975. The Five-A-Side album did well on its own, too, peaking at number 11 on the Billboard 200. Carrack, the band's keyboardist and chief songwriter, sang lead on "How Long", but was not the band's only vocalist. Follow-up singles were sung by other band members.
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One of the tracks on this, "All Night" by House Negro, sounds like an ice cream van that got lost down one of them streets off the Chepstow Road that do drum and bass during the Notting Hill Carnival, but instead of drum and bass music, it's hard house drums and hard house bass with the ice cream van music playing over the top of it, in a good way. He's also got the snooker ball sampling and evil, "The Tradesman" by Equinox on there. What's better than snooker and ice cream? Apart from hard house, fuck all.
Looking Good by Lisa Lashes is one of my favourite all-time records, whatever the genre. As a hard house track, it's difficult to compete with its power and subtlety. The use of the spoken word NASA moon landing vocal is sparse and the hoover stabs, whilst numerous, remain monotone and moody as fuck. The best bit though is when the main off-beat bassline comes in after the first use of the vocal sample near the beginning.
How many times have I banged on about Tony De Vit in this article? Eleven times so far. Everyone says that "The Dawn" is his best track but I've always preferred "Are You All Ready?" The Dawn is a trance tune and this one is bare bones, horrible, horrible hard house with overbearing closed 909 hi-hats that don't stop to breathe, a bossy open 909 hi-hat that does let itself breathe, one of those domineering off-beat basslines that is standard for the genre and the most hooversome of hoover lines that ever got hoovered up and recorded.
I've tried to replicated the kick drum pattern from this track on many of my, as yet, unreleased tracks. All would all benefit from the complicated and unpredictable kick drum pattern from To The Beat, but I've found it too complicated to do in my version of Ableton 9. 2ff7e9595c
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